“In an age of Spike
Lee retrospectives, Denzel Washington blockbusters, and Magic Johnson
multiplexes, it is perhaps easy to forget the pioneering impact Sidney
Poitier's career has had on American culture. For 20 years, beginning in the
early '50s, he was the top and virtually sole African-American film star--the
first black actor to become a hero to both black and white audiences. Poitier
was also the first black actor to win a prestigious international film award
(Venice Film Festival, Something of Value, 1957), the first to be nominated for
a Best Actor Academy Award (The Defiant Ones, 1958), the first to star as a
romantic lead (Paris Blues, 1961), the first to win the Oscar (Lilies of the
Fields, 1963), the first to become the number one box office star in the
country (1968), and the first to insist on a film crew that was at least 50
percent African-American (The Lost Man, 1969). Poitier also starred in the
first mainstream movies to condone interracial marriages and permit a mixed couple
to hug and kiss (Guess Who's Coming to Dinner, 1967) and to attack apartheid
(The Wilby Conspiracy, 1975). The New York Times' Vincent Canby once pointed
out: "Poitier does not make movies, he makes milestones."
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